A series of drawings made on tattoo transfer paper utilises the act of tracing, where a multitude of overlapping gestures eliminates a single-point perspective and gathers stories into palimpsest compositions. Positioned between the input and output during the process, the sheet of paper gradually sheds its pigment. Marked by these traces, the material acquires a new role as a dynamic artifact, capturing the convergence of multiple narratives, each leaving a unique imprint of passage.