A series of drawings made on carbon transfer paper employs the act of tracing, where a multitude of overlapping gestures eliminates a single-point perspective and gathers stories into polyphonic compositions. Positioned between the input and output during the process, the sheet of paper gradually sheds its carbon dust. Marked by these traces, the material acquires a new role as a dynamic artifact, capturing the convergence of multiple narratives, each leaving a unique imprint of passage.